Clarissa Pinkola Estés retells the Tarahumara story from the deserts and mountains of Northern Mexico, about a wolf woman, a collector of bones, who resurrects the wild spirit of life from the depths of the Underworld.
La Loba – The Wolf Woman
There is an old woman who lives in a hidden place that everyone knows but few have ever seen. As in the fairy tales of Eastern Europe, she seems to wait for lost or wandering people and seekers to come to her place.
They say she lives among the rotten granite slopes in Tarahumara Indian territory. They say she is buried outside Phoenix near a well. She is said to have been seen traveling south to Monte Alban in a burnt-out car with the back window shot out. She is said to stand by the highway near El Paso, or ride shotgun with truckers to Morelia, Mexico, or that she has been sighted walking to market above Oaxaca with strangely formed boughs of firewood on her back. She is called by many names: La Huesera, Bone Woman; La Trapera, The Gatherer; and La Loba, Wolf Woman.
La Loba – The Wolf Woman – animation by reachire.
The superstitious call her soul stealer, claiming she weaves a dream catcher to snatch up those who would cross over and cage them in the light of her fire. The sole work of La Loba is the collecting of bones. She is known to collect and preserve especially that which is in danger of being lost to the world. Her cave is filled with the bones of all manner of desert creatures: the deer, the rattlesnake, the crow. But her specialty is said to be wolves.
She creeps and crawls and sifts through the montañas, mountains, and arroyos, dry river beds, looking for wolf bones, and when she has assembled an entire skeleton, when the last bone is in place and the beautiful white sculpture of the creature is laid out before her, she sits by the fire and thinks about what song she will sing.
And when she is sure, she stands over the criatura, raises her arms over it, and sings out. That is when the rib bones and leg bones of the wolf begin to flesh out and the creature becomes furred. La Loba sings some more, and more of the creature comes into being; its tail curls upward, shaggy and strong.
She creeps through the mountains and the dry riverbeds, looking for wolf bones, and when she has assembled an entire skeleton, she sits by the fire and thinks about what song she will sing. Then she stands over the criatura, raises her arms over it, and sings out. Hence the rib bones and leg bones of the wolf begin to flesh out and the creature becomes furred, La Loba sings some more, and more of the creature comes into being.” — Clarissa Pinkola Estés
And still La Loba sings so deeply that the floor of the desert shakes, and as she sings, the wolf opens its eyes, leaps up, and runs away down the canyon.
Somewhere in its running, whether by the speed of its running, or by splashing its way into a river, or by way of a ray of sunlight or moonlight hitting it right in the side, the wolf is suddenly transformed into a laughing woman who runs free toward the horizon.
So it is said that if you wander the desert, and it is near sundown, and you are perhaps a little bit lost, and certainly tired, that you are lucky, for La Loba may take a liking to you and show you something — something of the Soul.
Clarissa Pinkola Estés, Women Who Run With The Wolves. Pp.26-28. She is a US poet, psychoanalyst and post-trauma specialist, raised in a nearly vanished oral and ethnic tradition, of Mexican mestiza and Magyar heritages.