Culture and Coexistence into the Great Unknown
The following story from 19th Century Venice, Italy, is similar to the “Bluebeard” folktales from France, regarding the dangers of female curiosity about forbidden chambers and how questioning patriarchal rules can open the door of truth. This mythic jaunt takes another route about when the Devil married three sisters and how the third sister managed to rescue the other two from the fires of Hell. Italo Calvino also published another variant of this story in 1956, called Silver Nose.
Fellini in the 1969 experimental documentary on US television opines on his Felliniesque creative process: “I think almost exclusively in images, which explains why an actor’s face and body are more important to me than plot structure . . . . The key word to understanding my kind of cinema is vitality. What I seek is to live the expression itself.”
Rapid industrialization in China has caused a massive migration to crowded, faceless and polluted urban mega-cities of 10 million residents or more. They should consider Italo Calvino’s utopian “Invisible Cities” to rethink the role of imagination in urban planning.