Federico Fellini Archive

  • At one time billed as the Moon Goddess and Andy Warhol It-Girl, singer Nico's dark, avant-garde music and deep, hypnotic voice were first heard in the Velvet Underground. She continued to work sporadically as a solo artist after leaving the Velvets, though a longtime heroin addiction and methadone dependency sidetracked her career. Check out the documentary on her life, Nico:Icon.

    Nico, Warhol Muse, from the Dark Side of the Street

    At one time billed as the Moon Goddess and Andy Warhol It-Girl, singer Nico's dark, avant-garde music and deep, hypnotic voice were first heard in the Velvet Underground. She continued to work sporadically as a solo artist after leaving the Velvets, though a longtime heroin addiction and methadone dependency sidetracked her career. Check out the documentary on her life, Nico:Icon.

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  • Bicycle Thieves (Italian: Ladri di biciclette), also known as The Bicycle Thief, is director Vittorio De Sica's 1948 story of a poor father searching post-World War II Rome for his stolen bicycle, without which he will lose the job which was to be the salvation of his young family.

    Vittorio De Sica: The Alienated Unemployed in “Bicycle Thieves”

    Bicycle Thieves (Italian: Ladri di biciclette), also known as The Bicycle Thief, is director Vittorio De Sica's 1948 story of a poor father searching post-World War II Rome for his stolen bicycle, without which he will lose the job which was to be the salvation of his young family.

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  • Almost forty years after his violent death, Pier Paolo Pasolini, filmmaker, poet, journalist, novelist, playwright, painter, actor, and all-around intellectual public figure, remains a subject of passionate argument. Best known for a subversive and difficult body of film work, loaded with Renaissance and Baroque iconography, he championed the disinherited and damned of postwar Italy, mingling an intellectual leftism with a fierce Franciscan Catholicism.

    Pier Paolo Pasolini: A Subversive Champion of the Disinherited

    Almost forty years after his violent death, Pier Paolo Pasolini, filmmaker, poet, journalist, novelist, playwright, painter, actor, and all-around intellectual public figure, remains a subject of passionate argument. Best known for a subversive and difficult body of film work, loaded with Renaissance and Baroque iconography, he championed the disinherited and damned of postwar Italy, mingling an intellectual leftism with a fierce Franciscan Catholicism.

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  • Fellini in the 1969 experimental documentary on US television opines on his Felliniesque creative process: "I think almost exclusively in images, which explains why an actor's face and body are more important to me than plot structure . . . . The key word to understanding my kind of cinema is vitality. What I seek is to live the expression itself."

    Federico Fellini: Intuitive Visual Art

    Fellini in the 1969 experimental documentary on US television opines on his Felliniesque creative process: "I think almost exclusively in images, which explains why an actor's face and body are more important to me than plot structure . . . . The key word to understanding my kind of cinema is vitality. What I seek is to live the expression itself."

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