Culture and Coexistence into the Great Unknown
A documentary investigates the threat from volatile and toxic crude oil bomb trains now rolling through neighborhoods across North America. After five fiery accidents in the first five months of 2015, one can only ask: “Whose community will explode next?”
The time for action against oil trains is now! On Saturday, July 11, SoCal 350 Climate Action and its regional partners rallied at L.A.’s Union Station and held a teach-in in front of Olvera Street, calling for an end to bringing exploding bomb trains loaded with tar sands and other volatile crude oils into our communities.
Jack Eidt of WilderUtopia spoke on the dangerous race for global control by the Chinese through mega-development projects such as the Gran Canal of Nicaragua and the Trans-Amazonian Railway, both with major human rights, ecological, and indigenous sovereignty consequences.
This is the first post in a series where I present the case for Geo-Fauvism, a growing movement of wild earth inspiration in art, literature, music and design. Taking off from the early 20th Century French art “Fauvists” or “Wild Beasts,” these cross-disciplinary creations respond to and react against the collapse of global environmental systems, the destruction of indigenous earth-based societies, and a narrowing of cultural opportunities in the mainstream corporatized media. Geo-Fauvists create to reconnect with the wild and heal humanity’s rift with the landscape, building a new community based on integration with the ecosystem.
The most recent oil spill on the Santa Barbara coast that has decimated wildlife and soiled California beaches with tar over a 350-mile area has been an unmitigated disaster. It illustrates weaknesses in basic safety measures for pipelines and crude by rail, as well as risks associated with industry plans to expand tar sands and other extreme drilling infrastructure on the West Coast.