Culture and Coexistence into the Great Unknown
At one time billed as the Moon Goddess and Andy Warhol It-Girl, singer Nico’s dark, avant-garde music and deep, hypnotic voice were first heard in the Velvet Underground. She continued to work sporadically as a solo artist after leaving the Velvets, though a longtime heroin addiction and methadone dependency sidetracked her career. Check out the documentary on her life, Nico:Icon.
Bicycle Thieves (Italian: Ladri di biciclette), also known as The Bicycle Thief, is director Vittorio De Sica’s 1948 story of a poor father searching post-World War II Rome for his stolen bicycle, without which he will lose the job which was to be the salvation of his young family.
Almost forty years after his violent death, Pier Paolo Pasolini, filmmaker, poet, journalist, novelist, playwright, painter, actor, and all-around intellectual public figure, remains a subject of passionate argument. Best known for a subversive and difficult body of film work, loaded with Renaissance and Baroque iconography, he championed the disinherited and damned of postwar Italy, mingling an intellectual leftism with a fierce Franciscan Catholicism.
Fellini in the 1969 experimental documentary on US television opines on his Felliniesque creative process: “I think almost exclusively in images, which explains why an actor’s face and body are more important to me than plot structure . . . . The key word to understanding my kind of cinema is vitality. What I seek is to live the expression itself.”